Depth, Shading, and Stylization in Stereoscopic Cinematography

dc.contributor.author	Templin, Krzysztof
dc.date.accessioned	2016-11-16T11:19:12Z
dc.date.available	2016-11-16T11:19:12Z
dc.date.issued	2016-02-26
dc.description.abstract	Due to the constantly increasing focus of the entertainment industry on stereoscopic imaging, techniques and tools that enable precise control over the depth impression and help to overcome limitations of the current stereoscopic hardware are gaining in importance. In this dissertation, we address selected problems encountered during stereoscopic content production, with a particular focus on stereoscopic cinema. First, we consider abrupt changes of depth, such as those induced by cuts in films. We derive a model predicting the time the visual system needs to adapt to such changes and propose how to employ this model for film cut optimization. Second, we tackle the issue of discrepancies between the two views of a stereoscopic image due to view-dependent shading of glossy materials. The suggested solution eliminates discomfort caused by non-matching specular highlights while preserving the perception of gloss. Last, we deal with the problem of filmgrainmanagement in stereoscopic productions and propose a new method for film grain application that reconciles visual comfort with the idea of medium-scene separation.	en_US
dc.identifier.uri	https://diglib.eg.org:443/handle/10.2312/2631099
dc.language.iso	en	en_US
dc.title	Depth, Shading, and Stylization in Stereoscopic Cinematography	en_US
dc.type	Thesis	en_US

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