Comparing Three Designs of Macro-Glyphs for Poetry Visualization

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dc.contributor.authorAbdul-Rahman, Alfieen_US
dc.contributor.authorMaguire, Eamonnen_US
dc.contributor.authorChen, Minen_US
dc.contributor.editorN. Elmqvist and M. Hlawitschka and J. Kennedyen_US
dc.date.accessioned2014-12-16T07:21:08Z
dc.date.available2014-12-16T07:21:08Z
dc.date.issued2014en_US
dc.description.abstractGlyphs have been successfully used in poetry visualization for depicting the characteristics and positions of eachphonetic articulation in relation to the human vocal system. While existing glyph designs provide visual representationsfor detailed observation and external memorization of the dynamics throughout a poem, they are lesseffective for observing the relationship and variance between different lines in a poem and in comparing differentpoems. In this short paper, we present three designs of macro-glyphs for summarizing the spatio-temporal dynamicsat the level of poetic lines. In particular, we use statistics from a collection of poems to guide and optimize thedesigns. We report our comparative study on the effectiveness of these three designs.en_US
dc.description.seriesinformationEuroVis - Short Papersen_US
dc.identifier.isbn978-3-905674-69-9en_US
dc.identifier.urihttps://doi.org/10.2312/eurovisshort.20141165en_US
dc.publisherThe Eurographics Associationen_US
dc.titleComparing Three Designs of Macro-Glyphs for Poetry Visualizationen_US
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