On the Origins of the Term Computational Aesthetics

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dc.contributor.authorGreenfield, Garyen_US
dc.contributor.editorLaszlo Neumann and Mateu Sbert and Bruce Gooch and Werner Purgathoferen_US
dc.date.accessioned2013-10-22T07:40:18Z
dc.date.available2013-10-22T07:40:18Z
dc.date.issued2005en_US
dc.description.abstractTo provide some background, as well as a historical context, for the Eurographics 2005 Workshop on Graphics, Visualization and Imaging we provide a chronology, complete with references, covering various research activities that invoke the term aesthetics in a computational setting. Much of the research cited focuses on the problem of making numerical assessments of the aesthetic content of works of art.en_US
dc.description.seriesinformationComputational Aesthetics in Graphics, Visualization and Imagingen_US
dc.identifier.isbn3-905673-27-4en_US
dc.identifier.issn1816-0859en_US
dc.identifier.urihttps://doi.org/10.2312/COMPAESTH/COMPAESTH05/009-012en_US
dc.publisherThe Eurographics Associationen_US
dc.subjectCategories and Subject Descriptors (according to ACM CCS): K.2 [Computing Milieux]: History of Computing, J.5 [Computer Applications]: Arts and Humanitiesen_US
dc.titleOn the Origins of the Term Computational Aestheticsen_US
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CompAesth 05: Workshop on Computational Aesthetics