Perception of Drawing Reference Quality among Professional Hand-drawn Animators

dc.contributor.authorSchwartz, Rachaelen_US
dc.contributor.authorMullery, Marken_US
dc.contributor.authorDingliana, Johnen_US
dc.contributor.authorMcDonnell, Rachelen_US
dc.contributor.editorBerio, Danielen_US
dc.contributor.editorBruckert, Alexandreen_US
dc.date.accessioned2025-05-09T09:43:50Z
dc.date.available2025-05-09T09:43:50Z
dc.date.issued2025
dc.description.abstractWe present a preliminary experiment, investigating professional hand-drawn animators' perception of how good one frame is as drawing reference for another. 10 professional hand-drawn animators rated the drawing reference quality of 54 hand-drawn frame pairs, each differing by character pose and region rotation, reflection, and distortion transformations. Our results indicate that animators perceive frames differing by rotation/reflection as better drawing reference than frames differing by distortion.en_US
dc.description.sectionheadersPosters
dc.description.seriesinformationACM/EG Expressive Symposium - WICED: Eurographics Workshop on Intelligent Cinematography and Editing - Artworks, Posters, Demos
dc.identifier.doi10.2312/exw.20251068
dc.identifier.isbn978-3-03868-272-1
dc.identifier.pages4 pages
dc.identifier.urihttps://doi.org/10.2312/exw.20251068
dc.identifier.urihttps://diglib.eg.org/handle/10.2312/exw20251068
dc.publisherThe Eurographics Associationen_US
dc.rightsAttribution 4.0 International License
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectCCS Concepts: Applied computing → Fine arts
dc.subjectApplied computing → Fine arts
dc.titlePerception of Drawing Reference Quality among Professional Hand-drawn Animatorsen_US
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