Perceptive Enhanced Realities of Coloured Collections through AI and Virtual Experiences

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dc.contributor.authorPescarin, Sofiaen_US
dc.contributor.authorAga, Birgitteen_US
dc.contributor.authorKiyomoto, I. Y. Arteagaen_US
dc.contributor.authorBarandoni, Cristianaen_US
dc.contributor.authorBonifazi, Federicaen_US
dc.contributor.authorBoracchi, Beatrice G.en_US
dc.contributor.authorBurgio, Luciaen_US
dc.contributor.authorCerato, Ivanaen_US
dc.contributor.authorCiortan, Irinaen_US
dc.contributor.authorClay, Arthuren_US
dc.contributor.authorFanini, Brunoen_US
dc.contributor.authorFedon, Gemma Chiaraen_US
dc.contributor.authorFerdani, Danieleen_US
dc.contributor.authorGraf, Holgeren_US
dc.contributor.authorHardeberg, Jon Y.en_US
dc.contributor.authorMagrini, Donataen_US
dc.contributor.authorMassidda, Marcelloen_US
dc.contributor.authorPanteleris, Paschalisen_US
dc.contributor.authorPapadopoulos, Giorgosen_US
dc.contributor.authorPitikakis, Mariosen_US
dc.contributor.authorSandu, I. C. A.en_US
dc.contributor.authorNeil, S. N. Sinhaen_US
dc.contributor.authorSiozos, P.en_US
dc.contributor.authorSotiropoulou, S.en_US
dc.contributor.authorSpotti, S.en_US
dc.contributor.authorStavroulakis, P.en_US
dc.contributor.authorTravaglini, L.en_US
dc.contributor.authorTrumpy, G.en_US
dc.contributor.authorVeggi, M.en_US
dc.contributor.editorCampana, Stefanoen_US
dc.contributor.editorFerdani, Danieleen_US
dc.contributor.editorGraf, Holgeren_US
dc.contributor.editorGuidi, Gabrieleen_US
dc.contributor.editorHegarty, Zackaryen_US
dc.contributor.editorPescarin, Sofiaen_US
dc.contributor.editorRemondino, Fabioen_US
dc.date.accessioned2025-09-05T08:40:07Z
dc.date.available2025-09-05T08:40:07Z
dc.date.issued2025
dc.description.abstractPERCEIVE (Perceptive Enhanced Realities of Coloured Collections through AI and Virtual Experiences) is an European project dedicated to the study, analysis, interpretation, reconstruction, conservation and communication of colours in artwork and historical objects, within five different scenarios, including: lost polychromy of ancient sculptures, fading colours of paintings and works on arts, of textiles, of historical photo and film collections and colour of digital born art. This paper describes the methodology and presents the main results beyond the state of the art.en_US
dc.description.sectionheadersPERCEIVE: Exhibiting the ''Unexhibitable''
dc.description.seriesinformationDigital Heritage
dc.identifier.doi10.2312/dh.20253350
dc.identifier.isbn978-3-03868-277-6
dc.identifier.pages10 pages
dc.identifier.urihttps://doi.org/10.2312/dh.20253350
dc.identifier.urihttps://diglib.eg.org/handle/10.2312/dh20253350
dc.publisherThe Eurographics Associationen_US
dc.rightsAttribution 4.0 International License
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectCCS Concepts: Human-centered computing → User interface toolkits; Empirical studies in HCI; Computer systems organization → Neural networks; Computing methodologies → 3D imaging
dc.subjectHuman centered computing → User interface toolkits
dc.subjectEmpirical studies in HCI
dc.subjectComputer systems organization → Neural networks
dc.subjectComputing methodologies → 3D imaging
dc.titlePerceptive Enhanced Realities of Coloured Collections through AI and Virtual Experiencesen_US
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Track 08 – Digital Technologies for Colour